Summary
Korean entertainment exports have seen an explosion of popularity in Western media over the past decade. From the record sales of K-pop acts like BTS, the pop culture Netflix phenomenon ofSquid Game,the rise of Manhwa, and, of course,Parasitebecoming the first foreign language film to collect the Academy Award for Best Picture.
There is a wealth of fantastic Korean filmmakers, and their works are increasingly finding a greater presence in the Western zeitgeist. WithParasitedirector Bong Joon-ho’sMickey 17marking the latest Korean cinematic crossover, now is a great time for intrigued fans to jump into the medium. For those looking for a good place to start, here are some of thebest Korean films for newcomers.
Certain names will appear among thebest Korean films for beginners, and this is a testament to their talent but also a reminder that accessibility to new audiences is a primary consideration for the rankings, and some filmmakers and actors have better mastered the transition.Decision to Leaveis the first from Park Chan-wook, which documentsan excellent and familiar romantic mystery.
The story centers on a detective investigating the potentially suspicious death of a man who fell whilst rock climbing. As the investigation unfolds, he becomes infatuated with the primary suspect, the deceased’s wife, which complicates the investigation. It borrows some themes from the director’s previous film,The Handmaiden,which is, in many ways, superior but considerably more complex.
The Good, The Bad, The Weirdfalls at the opposite end of the spectrum, being an outlandish film that’s equal parts amusing and entertaining, even beyond the language barrier. It’s a high-octane MacGuffin movie, where rival forces are all competing to get their hands on an ancient treasure map.
The hero of the piece is forced to partner up with a bumbling sidekick who is also seeking the treasure, leading to some classic odd couple hijinks anda heaping helping of western-themed action, including train robberies and Gatling guns.
The first film by Academy Award winner Bong Joon-ho to make a splash in the West,The Hostachieved a cult status among cinephiles following its release in 2006. It’sa classic monster/Kaiju movieabout a strange creature that emerges from the Han River and runs amok through the city.
The movie immediately stands out from contemporary Hollywood monster movies for its bizarre pacing and offbeat humor. It starts off exciting and action-heavy but gradually blends a myriad of contrasting genres, providing a greater focus on the central cast and an altogether more unique and interesting take on the genre.
An exceptionally quirky film from Park Chan-wook,I’m a Cyborg, but That’s OKtellsthe tale of an awkward romancethat occurs between two patients at a mental hospital. Young-goon believes she is a cyborg, built to protect her grandmother, whilst Il-soon has a compulsion to keep stealing to prevent himself from fading out of existence.
The pair feed into each other’s delusions, leading to an array of visually fantastical elements that ensure the audience can never be quite sure which version of reality is true. Ultimately, it doesn’t really matter what is real; it’s a story of boundless love and two lost people who accept the other for who they are, serving as a sweet and wholesome experience.
Aco-production between Korean and American studios,Okjafeatures an international cast including Tilda Swinton, Paul Dano, and Steven Yeun. The screen time is split between the US and South Korea, with the language changing for the appropriate setting, meaning that a good chunk of the film is in English.
It tells a classic tale of a young girl’s love for her abnormal creature, a ‘Super Pig.’ Her family farm is gifted the piglet as part of an international farming initiative, but when the company returns years later to collect their asset, Mija must do battle with the industrial complex in a bid to save her childhood friend from slaughter. It’s a moving and emotional take on a familiar format, and probably one of the more accessibleKorean movies for beginnersthanks to the lower language barrier.
Train to Busanisarguably the perfect zombie filmfor anyone who loves the tropes of the genre. Equal parts dread and exhilaration, the film constantly teeters on a knife edge of action that ensures the zombies maintain a constant threat to the central cast from the very beginning. Nowhere is safe, and it makes for an incredibly exciting watch.
It also pulls a wonderful trick that so many zombie flicks fail in and really makes the audience care for this cast of characters. That leads to several genuinely moving deaths, with some involving noble sacrifices, shocking blindsides, and characters slowly succumbing to the harrowing and increasingly nihilistic situation and losing the will to keep fighting.Train to Busandemonstrates a mastery of the subgenre, and it’s easy to follow for anyone who’s seen a zombie movie before.
Bong Joon-ho turns his darkly comic and genre-mashing hand to domestic strife and social commentary in this Academy Award winning hit.Parasitefollows a penurious Korean family as they slowly integrate themselves into the lives of an excessively wealthy neighbor.
Lies are built upon lies as new members of the family take up odd jobs around the lavish estate and eventually begin to supplant the wealthy residents. It’s not as accessible asOkjaorThe Host, but as one of the director’s most seminal pieces of work to date, it’s definitely not one to be missed for newcomers.
For many,Oldboywill have been their first experience with Korean cinema, such was its impact upon release, breaking ground with Western audiences far ahead of the current trends. It’s a great introduction to Park Chan-wook’s signature visual style and off-kilter humor, making for an ideal access point to one of the country’s most talented filmmakers.
Its pioneering appeal and widespread acclaim is what makes it one of thebest Korean movies for beginners, but it’s worth noting that it is alsoa pretty violent and disturbing talethat won’t be everyone’s cup of tea. The story follows Oh Dae-su, who is mysteriously imprisoned for 15 years. When his cell door opens one day, he sets out on a quest to find out who did this to him and make them pay. The film did receive a US remake from Spike Lee, but with all due respect, it’s difficult to recommend that version over the superior original.
